London Restaurants by category
This was in all likelihood going to be the review that got away. I've spent time in the original Balthazar and had some lovely lunches but, especially in a white hot, can't get a table for love nor money, opening period, I'd resigned myself to forgetting about the London branch. And anyway, who really wants to go to the London branch of a slavish New York recreation of a traditional French bistro? I could be on the Eurostar before they'd answered the reservations line.
As it goes, it's reasonably quiet, even on a Thursday lunch, and therefore the perfect spot to slide into a banquette opposite the International Man of Mystery. He's never sure which city he's in at any given point in time, so this level of high class generic internationalism is perfect for him.
It's not cheap, their range of French classics, but if you've come here deliberately you know that and are comfortable paying £24 for a plate of Steak Frites and £17 for a burger. If you're a wall-eyed tourist who has just stumbled across its prime Covent Garden location then congratulations. You're going to be fleeced, but in a much more pleasant way than if you'd wound up in the Angus Steak House.
Get a back wall booth if you can, they're perfect for people watching amidst the monied buzz and much, much more room than on the cramped blood red banquettes filling the centre of the room.
After being spoilt by their homemade bread, the ceviche starter was utterly underwhelming, a few sorry rings of squid or octopus dredged in an acrid vinegar coleslaw of fridge cold mandolined bell peppers and onion. From a distance it looked perfectly pleasant, but ended up being pushed around the plate, like a refugee from a different, inferior restaurant.
Confit duck on the other hand was perfect. Rich and unctuous, it fell off the bone like a dark silk dressing gown might slide from a Parisian courtesan's shoulders. Lifted with green leaf and waxy, puckered little spuds to provide substance, this was definitely a contender for comfort dish of the year, though at the price it bloody well should be.
It's a lovely cavernous space, with decent food slightly over-assiduous staff (that'll be the New York influences rather than the French) but for the money, the ambience and the attitude, I'd much rather be in Zedel, sucking down champagne with the money I've saved on my steak. If it's a power lunch that I need, then I'll be back at the Wolesley first.
The Edinburgh Festival is getting bigger every year. This year, as in many recent years, it manages to spread down to London to keep the party going well into September. Thankfully, though the 5am finishes stay up in Auld Reekie, in the weeks after the Festival there are almost enough shows booked in for post Festival London residencies for the discerning theatregoer to skip the trip North entirely.
If you're reading this in time, do go and see The Events at the Young Vic. It's on over October and was one of my Festival picks. There's normally a few at the Soho worth seeing (including Fleabag and There Has Possibly Been An Incident) and the scarily talented Lucy Ellinson was bringing Grounded to The Gate way before she'd won the plaudits of every man and their dog in Edinburgh. The cynical among you might wonder what these shows, hits every one of them, were doing slumming it in Edinburgh when a money making London run obviously awaited. But it's not a sure thing, this business of pre-programming critical hits, as you'll know if you'd had to sit through I'm With The Band.
Mercifully short, we were out of there by just after 9 and contemplating a schlepp into town or an early night when I remembered Tozi, a sexy sounding new Italian cichetteria unglamorously wedged under the lumpen Park Plaza Hotel like a pair of risqué kitten heels on a rugby prop forward. We weren't looking for a blow out, more a couple of glasses of fizzy and a couple of plates to take the taste of mediocre theatre away.
A couple of large, over Peroni'ed, verging on loutish tables of office boys deadened the bar slightly, but pushing past them opened up a large dark space, loudly packed with the young, the amiable and the well dressed. It's obviously an easy option for the hotel guests of the unlovely place above, but there seemed to be enough people there to suggest that Tozi might be a rare oasis in the Victoria culinary desert, capable of bringing people to it, rather than only those forced to work in it.
An uncomfortably Lilliputian table wedged us too close to our TOWIE neighbours, but at least was opposite the main pass giving a great view into the cavernous kitchen and ample opportunity to overhear and people watch. Assuming the rugger buggers aren't colonising it every night, the lighter, padded bar area seemed a better, more comfortable option.
Small plates arrived quickly and in no particular order, not specifically for sharing (I've never understood why the two things go together - smaller portions make me much less inclined to share) we did, going for 5 of them to share, less than the 7 recommended for two diners, but plenty for a post theatre snack. Soft shelled crab was hot, fresh and thankfully greasefree. It's one of those dishes that really reminds you you're eating a dead creature, crunching through yielding shell like a bit part character in an Indiana Jones movie. If you can cope with the vicera, there are few dishes more rewarding. Deep flavoured flesh ensconced in a tight, light batter - dreamily divine, brought higher with a sprinkle of chilli and a sharp basil oil.
Juicy baby chicken arrived on a wooden paddle, a slightly tongue in cheek mini roast, complete with copper gravy pot of deepest silky umami. This was a lovely and accomplished little plate. With a crunchy, clean side of some sort, I'd quite happily take this as a regular lunch option.
Aubergine parmigiana was sleekly and lusciously creamy, like a dowager countess in full length mink. Slow braised aubergine, cut with tomato and a hefty jolt of cheese. Definitely not the clean and healthy side to pair with the chicken. Decanting it into a lukewarm Staubb didn't do much for it, but the fundamentals of the dish were good enough to make me scrape the plate clean.
The jolly, and not so jolly, staff were certainly authentico, if a little unfocussed at times. And when your restaurant is this full at 9.30 on a wet Wednesday in Victoria, you need to be better, or at least slicker. That being said, it certainly wasn't a terminal performance front of house and, given that it's one of a (very) few decent options in Victoria, is certainly something to gloss over.
